Import your sources
Add one mic track per speaker, your audio mix, and the video from each camera.
AutoSwitch
For multicamera podcasts and interviews
Stop spending hours reviewing who speaks and which camera should be on screen. Import your isolated mic tracks and videos, review the cuts, then open the timeline in Final Cut Pro.
A focused workflow
AutoSwitch prepares the first technical cut. Creative finishing stays in Final Cut Pro.
Add one mic track per speaker, your audio mix, and the video from each camera.
Name speakers, assign their cameras, and identify wide shots or cutaways.
Correct flagged segments, then export FCPXML, the original WAV mix, and the project manifest.
Microphones are not cameras
Episode 12 · 3 microphones · 3 cameras
Automate the repetitive review
AutoSwitch does not try to replace your editing software. It removes the mechanical work before creative finishing.
Isolated microphone tracks identify the active speaker without uploading faces or footage.
The wide shot can take over during long pauses and remains available for every correction.
Overlaps and low confidence are surfaced. Change camera, split, or merge without rerunning analysis.
Export the original audio mix with the timeline. Camera audio is disabled to avoid doubled sound.
Missing tracks, incompatible frame rates, and short camera files are reported before export.
Linked media, camera names, and offsets are preserved in a structured, documented export.
Local by design
Audio, video, detection, and exports are processed locally. The network is only used for payment, licensing, and updates.
Launch pricing
The trial includes import, analysis, saving, and preview. An active license unlocks exports.
Test AutoSwitch across several episodes without a long commitment.
For editors and studios producing episodes regularly.
Launch price for the current version without a subscription.
Secure checkout by Stripe. Renewal terms are shown before confirmation.
FAQ
No. AutoSwitch prepares camera cuts and the audio mix. You then open the FCPXML in Final Cut Pro for editorial finishing, graphics, color, and delivery.
Not for reliably mapping each voice to a camera. The best result requires one isolated microphone track per speaker. A stereo mix can still be added for audio export.
Not to test audio analysis. They are recommended for a Final Cut timeline linked directly to your media. Without linked video, Final Cut will ask you to relink files.
Mark it as a wide shot. It does not need a microphone, can cover long silences, and remains available in every cut correction.
Not at launch. The first commercial version targets macOS and Final Cut Pro so one precise workflow can be made reliable before expanding compatibility.
Stripe confirms the payment to AutoSwitch, then the browser offers to reopen the app. Export unlocks automatically on the account used for purchase.
Try the complete workflow before choosing a license.
Download the free trial